General Notes on Women in the Film Industry

Facts and Figures

$7bn per year at the box office.

$7.6 bn on video

$7.4 bn on rentals

 

1999

4% women directors

)

Declined from 1998

15% executive producers

)

8% editors

)

 

Women 25+ are the most lucrative demographic for sales and box office.

 

Genre Case Study of the representation of women

Women in Westerns

Women generally fulfil a domestic role.

The western is the answer to the domestic novel

Men were driven to the frontier by the tide of feminist evangelists advocating temperance.

In the western the man’s mastery and identity are repeatedly reinvented.

Women are the ‘motive for male activity’

Typically they are ‘good-natured Dance hall girls or virginal guiding lights.’

Of course there have been plenty of exceptions particularly in the early years of film but they were intended for female consumption.

 

Women in front of the camera

In front of the camera her role is usually as sex object, femme fatale and / or victim.

She exists in a world of binary opposites: good / bad; virgin / whore; tart / girl next door.

Her fulfilment comes not through beauty not brains!

1970s feminism made women feel guilty for liking makeup and high heels, for enjoying romantic fiction and fashion!

Roles such as Ripley in Aliens were almost too much of a role reversal whereas the angels in Charlie’s Angels while kicking ass did it in high heels!

 

Jobs within the industry

Producer – all definitions of this job are particularly applicable to women’s skills of organisation and personal communication skills. So therefore is less creative and therefore more supportive of male directors!        See Bfi worksheet 7 here.

 

Research Case Study of Thelma Schoonmaker

Although an editor for 40+ years she is usually referred to in connection with the men with whom she has worked.

 

 

Why are there so few women in the industry?

See www.moviesbywomen.com/

http://skillset.org/careers/

 

Women comprise:

93% of all hair and makeup artists

)

Why?

83% of wardrobe and costume jobs

)

10% of camera operators

)

8% lighting

)

11% sound

)

9% broadcast engineers and cinema projectionists

)

 

Drew Barrymore

)

Have all been producer / director

or co-producer / director

or have set up their own production companies

Sharon Stone

)

Sigourney Weaver

)

Jodie Foster

)

Sarah Jessica Parker

)

Christina Ricci

)

Sandra Bullock

)

Notes from A2 conference – life after death

  • Why is a post-mortem existence desirable?
  • What evidence?
    NDEs with common features – convincing for those who’ve had them but there are other explanations
    Parapsychology – mediums, biblical prohibitions; dealing with occult carried death penalty

BUT principles of credulity and testimony

  • Hick the ‘best cases… are impressive and puzzling.’
  • What kind of life? Depends on how we view the relationship between mind and body?

Heaven hell and purgatory? A living part of faith

BUT what kind of God would condemn us to hell?

Also no agreement between religions or even branches of one religion

  • The soul – necessity of?

If immortal soul no need for God to do anything! Means a non-interventionist God

Biblical idea of resurrection of body ‘the dead will be raised imperishable.’ 1 Cor 15. The soma pneumatikon – a spiritual body rather than a flesh and blood one. Means an interventionist God

BUT all sorts of problems like we see the body decay

Hick’s replica theory means if we can conceive of these scenarios then we can conceive of bodily resurrection – but is a replica really the person?

  • Eschatological verification
  • Is it meaningful? Can it be verified? Ayer – no assertions about after life are meaningful. BUT Christians would say that Jesus guarantees it; however Flew believed life and death mutually exclusive and would say that it is not meaningful to talk about what kind of life after death when the concept itself is meaningless.