Themes in I’m the King of the Castle

EVIL

Evil is a strong feature of the story and shows itself mainly in the psychological violence of Hooper towards Kingshaw.

The physical violence of life on Fielding’s farm is not evil.

Hooper’s evil defies understanding because we do not understand what drives it. Kingshaw cannot understand H’s evil any more than Mr Hooper can fathom his son’s thoughts.

Ignorance and stupidity and lack of love allow evil to triumph. All that is necessary is that people should not care about each other. To Mrs K her son is an encumbrance a threat to her future happiness. She scolds him for wickedness when really it’s just childish naughtiness. Mr H senses something about his son which makes him uneasy even frightened but he does nothing about it.

The lack of any real love allows Hooper’s evil to grow unchallenged. His tormenting of K is done for no other reason than he wishes to behave this way; it affords him pleasure.

One readers dislike this book is because evil is seen to triumph yet uncomfortable though this book may be it is true to the experiences and feelings of many younger readers.

 

ISOLATION AND LONELINESS

There are several different kinds in the book.

  • Single parent families;
  • Warings – the house is set apart from other houses;
  • no significant contact with the village
  • house and nearby woods symbolise the characters’ isolation from each other
  • each character is separated from people with whom they might once have had relationships.
  • There is little real communication between family members
  • Communication between Mr H and Mrs K seems to get confused and misinterpreted
  • Mrs K thinks marriage will give her stability, security and acceptance
  • Mr H thinks marriage will give him sexual fulfilment.
  • Mrs K’s keenness not to favour her own son over Hooper leads to her virtually ignoring her son and leads in consequence to his total isolation and the inevitability of his actions.

 

LOVE

With the exception of the Fielding family there is no love in this book.

However apart from Edmund all characters are desperately searching for it.

Fielding is the only person who is secure in the love of a normal family and is therefore not vulnerable to the stresses which plague most of the other characters.

 

NATURE

The events are set against the weather, the changes and the seasons.

In contrast to the natural beauty of the landscape Warings is brutally ugly and dismal.

One side of nature is seen as actively violent like the crow and the thunderstorm, the wood and the dead rabbit. But the violence of nature is without malice unlike H’s vendetta against Kingshaw.

The crow is of course the exception to this since Kingshaw equates it with Hooper after it attacks him.

The moths are also a symbol of terror.

The world of nature is safe from human cruelty which is why Kingshaw feels at ease in the wood but the dead and rotting rabbit change his feelings.

His increasing sense of isolation is echoed by the stormy weather and the approach of Autumn.

The Ending of I’m the King of the Castle

Would Kingshaw really have done this? Is it in character? Yes. Why?

Give examples:

  • Kingshaw is over-sensitive
  • Hyper imaginative (the crows and the tractor)
  • Doesn’t communicate with either adult or Hooper. Talks to Fielding but is unable to put resolution into practice

 

What factors have led up to this?

  • Verbal bullying
  • Psychological
  • H locks k in Red Room and shed
  • Spies on K
  • Knows things about K (his knowledge seems uncanny but is rally only observant and knowledgeable about human nature.) gives Hooper power over him.
  • Pecks away at K’s vulnerable spots – fatherless; weak mother; no home; poor; sensitive; linguistically retarded .

 

How could we have known it would end like this?

  • 3 premonitions – water images
  • K’s own weakness of character
  • Something had to happen. Hooper has unhinged Kingshaw.
  • P 197 ‘he knew quite suddenly what to do. It was because the morning reminded him of the time before.

 

Did he plan it earlier?

  • No, despite the omens and his feelings towards the wood and the water, it is actually an on the spot decision.

 

Was there an alternative ending?

  • Kingshaw murders Hooper? possible though only as a spontaneous action, the thought would alarm him too much if he had time to think about it.
  • Kingshaw finally speaks out? Unlikely for even if he did no-one would ever believe him, the adults have too much invested in ignoring it. He is of course the type who cannot communicate this is his major weakness and cause of his ultimate action.

 

What opportunities has Kingshaw had for murdering Hooper?

  • Stairs
  • Hang wood twice
  • Castle

These three temptations enable the reader to draw the parallel between him and Jesus who rejected the temptation to use violence to save himself

 

How does the author shock us? Convince us? Affect us? In chapter 17

  • Frenetic activity with everything rushing to a climax, events going too fast for Kingshaw.
  • Weather – after the long, hot, sticky, summer, the rain and a high wind. But on the final day the similarity in the weather is noted by Kingshaw, ‘the only difference today was that there was no mist…’
  • The waiting game the two had played while Kingshaw waited for Hooper’s response to his destroyed battle plans he began to get even more paranoid, even more worked up, p 220 ‘It would happen, something.’
  • K was numbed.
  • Hooper’s second note, p 220 confirms the fear, the few paragraphs before this have been comprised of short terse sentences or phrases, jerky, tense. Followed by, ‘The nightmares began.’
  • As he makes the decision his state of mind changes and so does the weather to match, from rain to, ‘the sky smooth and pale
  • Finally he becomes calm, resolute, even excited as he begins to feel the rightness of this.
  • This was his place. Where he wanted to be. It was alright.’
  • Irony of Mrs Kingshaw’s thinking, ‘there is plenty of time for everything,‘ when in fact it is already too late.
  • For a second he hesitated, part of his mind starting to come awake…’ Kingshaw is in a trance like state. Cannot does not want to get beyond it. Wants to complete his resolution before he changes his mind.
  • The deliberateness of taking of his clothes, folding them up and getting into the water and ‘breathed in a long, careful breath.’
  • Hooper’s ‘spurt of triumph,’ shocks and appals us as we realise that he really was an evil, amoral character, irredeemable.
  • Mrs Kingshaw, ignorant to the end, ‘I don’t want you to look dear, you mustn’t look and be upset, everything is all right,’ unconscious echo of so many of Kingshaw’s hopeful thoughts. But bitterly ironic.