Frankenstein: structure of the novel

A    Time

    Starts almost at the end and then presented in flashbacks with change of narrator. At the end the three narrators are united.

    Effect of this technique is to show the influence of the past on the present. Victor and the monster inseparable. Both guilt ridden.

    Chinese box narration – a story within a story –within a story – many levels and three different viewpoints therefore sympathy / allegiance of reader changes with the narrator.

 

B    Contrasts

    Indoor / outdoor settings. Characters occupy enclosed spaces: workshop, hut, cabin, Walton’s cabin, Justine’s barn…symbols of mental imprisonment as well.

    Then characters are seen as travelling across vast expanses, distances – symbolise their separation from other beings.

 

C    Journeys

    Story moves in cycles; characters separate, meet up, separate again…

 

D    Parallels

    Many of the chapters mirror each other:

1 and 11 concerned with the childhoods of Victor and the monster

2 and 12 focus on the curious minds of Victor and the monster

8 and 21 Victor finds himself in the same position as Justine

5 and 20 show the difference in attitude of Victor towards creating the two creatures

9 and 18 reveal Victor’s solitude, self-absorption and guilt

18 and 23 two female companions are destroyed but the tables are turned

12 and 16 show how the monster’s bright hopes have turned to dark despair and revenge

2 and 24 show how the Victor’s bright hopes have turned to dark despair and revenge

    Shelley uses this device to show either how the characters have been changed by the events or how the characters have not changed but are faced with a different situation.

Frankenstein: Mary Shelley’s influences

A    Coleridge said that ‘a willing suspension of disbelief’ is an essential ingredient of fantasy and she uses this in the beginning by setting this fantastical tale in the ice-bound arctic.

B    Feminist Mother who died a few days after Shelley’s own birth.

C     Myths– obviously the Prometheus myth but also Faust who sells his soul to the devil for the secrets of the universe; also the Garden of Eden and the Fall of Man – the hovel in the woods?; and Paradise Lost by Milton in which Satan is banished by God for leading a rebellion.

D    The scenery – she was excited by the Alpine setting

E    Her husband

F    Rousseau – who said men’s nature is harmless but that men are made evil by society – a new idea!

G    Science and the supposed power of electricity – at this stage held an almost alchemical fascination.

Shelley’s purposes

Irony and dramatic irony are used to help the reader take a critical view of the narrators

The evil within man?

see the ‘meaning of the monster’

Parent- child relationships

As a political tale

Moral tale